What to Listen To: Jordan Guerette’s Playlist

This is the second in our new series of playlists curated by some of our favorite musicians/bands that have come in to record at Acadia! (listen to Nate Manning’s inaugural playlist here). This playlist was made by Jordan Guerette, a multi-talented musician who you may know from his guitar playing in Falls of Rauros. Jordan focused this playlist on music that influenced the first record from his latest project, Forêt Endormie (The record is Étire Dans Le Ciel Vide) which is an incredible chamber ensemble based in Portland. Take a listen and check out Jordan’s notes for each tune below:

1. “Twa Corbies” by Sol Invictus from The Devil’s Steed (2005)

For me, Sol Invictus are the epitome of neofolk, and Tony Wakeford’s voice defines the genre. This is my favorite Sol Invictus song and probably my favorite in the genre in general; the bizarre, distorted-guitar-and-horns arrangement with Wakeford’s extraordinarily melancholy lyrics and English folk melody makes it a classic.

2. “String Quartet No. 1 Mvt. I: Adagio – Con moto” by Leoš Janáček (1923)

Janáček’s syrupy harmonies and achingly melancholy melodies in this movement have made it an all-time favorite of mine. The entire quartet is more than worth any curious listener’s time.

3. “Emily” by Joanna Newsom Ys (2006)

Joanna Newsom is the artist that I cherish more than any other. Newsom’s compositions, playing, and lyrics are already fully-matured on her second album, and the results here are sublime. Please listen to this song if you have to pick one from this list. (Of course…it’s not on Spotify, so we’ve included the YouTube link below)

4. “Hung From The Moon” by Earth Bees Made Honey in the Lion’s Skull (2008)

Earth is probably the only band in the world that has an album composed of just unaccompanied guitar riffs that are actually worth listening to (Phase 3: Thrones and Dominions). This song is from their post-reunion era which features jazz pianist Steve Moore. Moore’s idiomatic improvisation in this track pushes Dylan Carlson’s composition to perfection.

5. “Stained Glass” by Kayo Dot Stained Glass (2011)

Toby Driver’s Kayo Dot is best known for changing their sound all the time. I actually like their last two albums Comets on Io and Plastic House on Base of Sky the most, but this EP was my introduction to the band and its improvisatory, almost ambient soundscape really had an effect on me. I believe that this EP was a factor in my developing love of the vibraphone.

6. “La cathédrale engloutie” by Claude Debussy (1910)

Debussy’s harmonic world has pretty much become the basis for what I write. Debussy’s musical symbolism is so evocative of this “Sunken Cathedral” that I find it impossible to not think of being submerged during the majority of this piece. Debussy took inspiration from the Legend of Ys, in which the cathedral sometimes rises above the surface of the ocean. The moments during which the cathedral arise are so obvious in this piece due to Debussy’s ability to conjure specific, concrete images with instrumental music. 

7. “Vingt Regards sur l’enfant-Jésus: 1. Regarde du Père” by Olivier Messiaen (1944)

Messiaen is another giant of French classical music, and this suite of piano pieces has its own harmonic world that uses familiar chords like the major triad in a way that is so atypical of Western music that they begin to form new identities.

8. “God Bless Our Dead Marines” from Horses in the Sky by Silver Mt. Zion (2005)

Silver Mt. Zion began as an instrumental classical-ish band and I love those early records, but this is the first Silver Mt. Zion album that I had an obsession with. The vocal round is both simple and sophisticated, hopeful and melancholy. There is also a verse about lyricist Efrim Menuck’s dog that usually makes me choke up.    

9. “Red Seas” from The Creatures in the Garden of Lady Walton by Clogs (2010)

This is a beautiful song from a beautiful album by Clogs, brainchild of Padma Newsome and Bryce Dessner. The arrangement is interesting, including bassoon and strings, but it is really Newsome’s gorgeous vocals that make this song really special.

10. “Gymnopédie No. 3” by Erik Satie (1888)

The master of melancholy piano music. Satie is unbeatable in his understated, strange, yet immensely memorable melodies and sense of harmony. His music is so accessible, yet heady and worth academic study. The melody of this piece strikes a particular resonance with me at this moment, but I could have chosen any of his Gymnopédies, Gnoissiennes, or Nocturnes.

We’ve also included Jordan’s record Étire Dans Le Ciel Vide at the end of the playlist: take a listen and see if you can hear some of the influences! As always, happy listening!

Updating the Control Room

Once a year we unplug ALL of our equipment in the control room and take to opportunity to clean the dust out of our outboard gear, make any necessary repairs, and organize our cabling and patchbay.

It’s always exciting to update and optimize our workspace. This year we took the extra step of completely redesigning the layout of the control room. When we purchased our TOFT ATB24 Console last year, it came with a beautiful custom built desk and integrated equipment racks. The console now sits front and center, making setting up cue mixes and using Toft’s very musical eq on the way in much simpler.

Thanks to the new desk, the control room has a much more open feel and all of our outboard gear is close at hand. We have also improved the experience for the client, the control room seating is now has a more intimate and relaxed feeling.

Come book a session with us and see for yourself!

What to Listen to: Nate Manning’s Playlist

We’re pretty excited to roll out our first in a series of playlists created by some of our favorite musicians/bands that have come in to record at Acadia! First up is Nate Manning, lead guitarist in Zud, a black metal group based in Portland with a new record out A Wilderness Left Untamed. Nate’s kindly included a few notes about each tune if you want to follow along as you listen, or sit back and enjoy some fresh music for your ears!

1. Los Dug Dugs – Los Dug Dugs (1971)  –  “Lost in My World”

I’m always looking for anything late 60s Beatles / Psych-influenced, and the Dug Dugs were the first band from Mexico to do that, and to me did it better than most. The entire album is amazing, but the guitar tone and solos on “Lost in My World” are must-hear.


2. Witchfinder General – Death Penalty (1982) – “Free Country”

A little sabbath worship in a band is always fine with me. This song and record do not recreate the wheel but it sure does hit the nail on the head for what makes a great NWOBHM band.



3. Only Living Witness – Prone Mortal Form (1993) – “Nineveh”

Great recording production, non-stop riffs and vocals that could appeal to most people makes this record one that even people not into hardcore could get into.

4. Guided By Voices – Alien Lanes (1995) – “My Valuable Hunting Knife”

Guided by Voices is a pretty well known band but with 25 LPs alone maybe you haven’t heard all eras. My favorite is mid 90s with Alien Lanes and Under the Bushes Under the Stars. He is the king of catchy vocal melodies over low-fi guitar driven rock.

5. Gang Green – Another Wasted Night – (1986)  “Skate to Hell”

This is just a badass punk song with awesome rock riffs and solo, not to mention the lyrics are perfect for this style.

6. Edgar Broughton Band –  Edgar Broughton Band (1971)  – “Hotel Room”

This album is one of my favorites because its a perfect blend of guitar-driven classic rock with raw vocals as well as some darker acoustic songs. “Hotel Room” is slightly different than the rest of the album but the key change at the very end is too good to not share.

7. JK & Co – Suddenly One Summer – (1968) “Fly”

With Donovan, LSD, and the Beatles as influences in the air a 15-year-old made this record in 1968 with the help of some studio musicians. Fly is a dreamy psych journey and it blows my mind someone that young could have a vision like this and nail it.

8. Manic Street Preachers – The Holy Bible – (1994)  “Die in the Summertime”

The Holy Bible is one of the most intriguing, weird, catchy, rocking, sad, confusing records I’ve ever heard and I am huge fan like many with this cult classic. The music always fits the lyrics perfectly and it’s no different with “Die in the Summertime.”

9. Leaf Hound – Growers of Mushroom – (1971) “Freelance Fiend”

70s hard rock done right. Guitar tone when the song starts says it all.  With only one album (they broke up right when it came out) it’s a true under-appreciated gem.

10. Num Skull – Ritually Abused – “Death and Innocence”

Sometimes you just need your head ripped off non stop during a song. “Num Skull” does that every song, unrelenting trash metal that has every song packed full of riffs and changes.